The Birth of the Modern World is a wonderfully ambitious book that effectively demonstrates the global nature of the modern world and the need to decentre national histories and think big. It is a 'thematic history' demonstrating how 'historical trends and sequences of events, which have been treated separately in regional or national histories, can be brought together' (p. 1)....(展开全部)

HEYDAY brings to life one of the most extraordinary periods in modern history. Over the course of the 1850s, the world was reshaped by technology, trade, mass migration and war. The global economy expanded fivefold, millions of families emigrated to the ends of the earth to carve out new lives, technology revolutionised communications, while steamships and railways cut across v...(展开全部)

Discusses the dichotomy of artistic thought that led to the evolution of modern painting, as perceived by the new art's Salon des Refuses and the Paris art world of 1863

It is no longer news that the Western world is in a crisis, a crisis that has spread far beyond its point of origin and become global in nature. In 1927, Ren Gunon responded to this crisis with the closest thing he ever wrote to a manifesto and 'call-to-action'. The Crisis of the Modern World was his most direct and complete application of traditional metaphysical principles-pa...(展开全部)

This clearly written and engrossing book presents a global narrative of the origins of the modern world from 1400 to the present. Unlike most studies, which assume that the “rise of the West” is the story of the coming of the modern world, this history, drawing upon new scholarship on Asia, Africa, and the New World and upon the maturing field of environmental history, construc...(展开全部)

This clearly written and engrossing book presents a global narrative of the origins of the modern world from 1400 to the present. Unlike most studies, which assume that the “rise of the West” is the story of the coming of the modern world, this history, drawing upon new scholarship on Asia, Africa, and the New World and upon the maturing field of environmental history, construc...(展开全部)

At a time when the world was falling apart— in an age of religious wars, plague, and the Great Fire of London—a group of men looked around them and saw a world of perfect order. Chaotic as it looked, these earliest scientists declared, the universe was in fact an intricate and perfectly regulated clockwork. This was the tail-end of Shakespeare’s century, and these were brillian...(展开全部)

爱德华·多尼克（EdwardDolnick） 美国作家，曾任《波士顿环球报》科学专栏作家。文章散见《大西洋月刊》《纽约时报杂志》《华盛顿邮报》等，著有《救援艺术家》《伪画家的技能》等书，其中《救援艺术家》一书获得2006年爱伦·坡奖（佳犯罪实录类）。对于写作《机械宇宙》一书，具有麻省理工学院数学硕士学位的他形容自己“再次回到自己的根源”。

维克多•塞巴斯蒂安 记者。 著有： 《十二天：1956年革命》（TWELVE DAYS: REVOLUTION 1956 ），Weidenfeld, 2006 《1989年革命》（REVOLUTION 1989: FALL OF THE SOVIET EMPIRE），W&N, 2009

维克多•塞巴斯蒂安 记者。 著有： 《十二天：1956年革命》（TWELVE DAYS: REVOLUTION 1956 ），Weidenfeld, 2006 《1989年革命》（REVOLUTION 1989: FALL OF THE SOVIET EMPIRE），W&N, 2009